Photographer Nila Onda paints with light-weight, capturing the ethereal elegance of flowers. See far more operate by checking out her website.
I paint with light—an immaterial medium and an strength source of life on Earth. My camera lens opens portals to an intangible entire world of boundless imaginative likely and expressive possibilities.
By way of my art practice I examine daily life as a fluid continuum of cyclical transformations in which antithetical states of consciousness harmonize into dreamlike narratives. I shift notions of actuality, reframing expertise in a magical context.
The sequence Luminous Gardens (2018 – ongoing) explores our primal connection with the natural world.
Solely developed in-digital camera with no publish-manufacturing alterations, these pictures provide a eyesight of the biosphere as a realm of enchantment. The use of the macro lens reveals sunlit flora in vivid depth bursting with color.
A spectacle of exquisite attractiveness seduces the senses, transporting the viewer into an immersive journey by otherworldly environments. The knowledge of speculate conceals elaborate levels of this means, inviting further reflections into the mother nature of impermanence and the fragility of existence and our ecosystem.
My own eyesight is carefully linked to Japanese philosophy—a “system view” whose essence lies in the notion of the full being even larger than the sum of the areas.
The dynamic interplay of opposite forces, the cyclical nature of a “thinking” universe animated by a generative charge. These are the concepts expressed in Taoist cosmology which are echoed in the course of my imagery.
The concepts of Zen aesthetics underpin essential elements of my imaginative course of action. They are manifested in the pursuit of a spontaneous movement run by the engine of creativity.
My curiosity is captivated by the inner workings of life and the delicate energies working below the floor. Inspiration finds origin in a profound consciousness of the feeling thriller that permeates all points.
I working experience artwork as a response to a primal impulse that presents expression to a common lyrical language—the language of the soul.
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