November 11, 2022
06:00 PM – 07:00 PM
In this in individual party, professor Annie-Paule Quinsac will current her recently-revealed book, Divisionismo Italiano. Sguardi e prospettive 1880-1920 (Massetti Rodella Editori, 2022). The work is a revisitation of her seminal thesis “La peinture divisionniste italienne. Origines et premiers développements 1880-1895“, discussed at the Sorbonne in 1968 and posted in 1972.
Working with a transversal strategy, Quinsac analyses the sociopolitical, historical, and ideological context that characterized Italian divisionism, from Segantini’s Avemaria a trasbordo (1886, the to start with Divisionist work), by means of the Symbolism of the 1890s, and up to the Futurist revolution, underscoring the at any time-shifting interpretations of critics by the current.
Artists considered: Georges Seurat, Paul Signac, Vittore Grubicy de Dragon, Giovanni Segantini, Jean François Millet, Gaetano Previati, Angelo Morbelli, Plinio Nomellini, Giuseppe Pellizza da Volpedo, Emilio Longoni, Attilio Pusterla, Carlo Fornara Ernest Meissonier, Jules Breton, Alfred Roll, Jules Adler Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, Gino Severini (and some others simply utilized for the sake of comparison).
Professor Quinsac will be in dialogue with CIMA Fellow Eduardo De Maio.
Copies of the guide will be obtainable for invest in.
Standard Admission: $10 Associates and Learners: Cost-free
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Annie-Paule Quinsac is Professor Emerita at University of South Carolina and an artwork critic. She obtained her Ph.D. from the Sorbonne, and taught the history of 19th-century art for 25 decades. She is a major scholar on the oeuvre of Giovanni Segantini, owning printed a catalogue raisonné of the artist (Electa, 1982, 2014-15) and a crucial version of his correspondence (Cattaneo Editore, 1985). She has curated many exhibitions, both equally in Italy and abroad, which includes Segantini. Il ritorno a Milano (Palazzo Reale, Milan 2014-15)
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